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This research bibliography has been compiled to cross reference articles from the CV by series, instead of publication date. Each item under the headings (below) relates to an exhibition, review or television article which has been published about the works in question.
This bibliography also contains more information than the CV such as some page and ISDN numbers. Additional more obscure reference points have been listed such as > 2nd Sight: Australian Photography in the National Gallery of Victoria, [book review], Robert Nelson, Photofile, 70: Summer 2004, Page 76, which is listed under the General heading. This article is not specifically about Farrell and Parkin's work but it is mentioned.
RESTORATION (2006/08)
2008
> À la croisée de l'art et de la médecine. L’absolu de l’art face à l’autorité, de la Médicine, Jean-Émile Verdier, Vie des Arts, No 213, Winter, 2008-2009. Pages 68-71.
> À la croisée de l'art et de la médecine/At the Crossroads of Art and Medicine, [room brochure], Vicky Chainey Gagnon & France Mainville, Foreman Art Gallery of Bishop's University, and Galerie d'art du Centre culturel de l'Université de Sherbrooke, Sherbrooke, Quebec, Canada.
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
> Restoration, [catalogue], Urszula Szulakowska, Arc One Gallery, Melbourne, Victoria.
> Restoration, [catalogue], David O’Halloran, Boutwell Draper Gallery, Sydney, N.S.W.
2007
> The Farside of the Moon, (catalogue), Robert Lindsay, McClelland Gallery + Sculpture Park, Langwarrin, Victoria.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
RANDOM ACTS (2004/05)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2007
> Glimpse: Inside Gold Coast City Art Gallery's Collection, (book), Gold Coast City Art Gallery, Surfers Paradise, Queensland.
> 2007 Albury National Photography Prize, (catalogue), Albury Regional Art Gallery, Albury, N.S.W.
> MCA Collection: New Acquisitions 2007, (catalogue), Museum of Contemporary Art, Sydney, N.S.W.
> Familiar yet new, by George, Robert Mc Farlane, Sydney Morning Herald, Sydney, N.S.W., April 3, 2007.
2006
> Tidal.06, (catalogue), Devonport City Gallery, Devonport, Tasmania.
> The New McCullochÕs Encyclopedia of Australian Art, Alan McCulloch, Susan McCulloch and Emily McCulloch Childs, Aus Art Editions, The Miegunyah Press, Melbourne, Victoria.
> The Camera Creates a Stage, Anne Kirker, (catalogue), Queensland Centre for Photography, Brisbane, Queensland.
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
> Pain of a Year, and Years Ago, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., May 16, 2006.
2005
> Farrell and Parkin's Grand Illusion, Robert Nelson, The Age, Melbourne, Victoria, November 16, 2005.
> Beyond Real PART 2: Making a Scene, (brochure) Australian Centre for Photography, Paddington, N.S.W.
> After Time, Melissa Amore, Random Acts, (catalogue), ARC One Gallery, Melbourne, Victoria.
> ACP Spring Program 2005, (brochure), Australian Centre for Photography, Sydney, N.S.W.
> Brisbane Arts Guide, (cover), published by 3E Innovative Pty Ltd, Brisbane, Queensland, June-August, 2005.
> Farrell and Parkin's Random Win, Megan Backouse,The Age, Melbourne, Victoria, May 18, 2005.
> Winner Selection a Challenge, Gold Coast Bulletin, Surfers Paradise, Queensalnd, May 14, 2005.
> Snapshot of Photo Talents, Gold Coast Sun, Surfers Paradise, Queensland, May 11, 2005.
> Magical Pictures, Rosemary Sorensen, The Courier Mail, Brisbane, Queensland, May 11, 2005. Page38.
> Photo Prize Entries on Show at Gallery, Gold Coast Sun, Surfers Paradise, May 11, 2005.
> Judges Swamped, Gold Coast Bulletin, Surfers Paradise, Queensaland, May 1, 2005.
> Record Entries for Photography Award, Life Gold Coast, Surfers Paradise, Queensland, Issue 79, April 21, 2005.
> 2005 Josephine Ulrick & Win Schubert Photography Award, (catalogue), published by the Gold Coast City Art Gallery, Surfers Paradise, Queensland.
TRANSFUSION (2003)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2004
> The Artist's Surgery: A Constructed Reality, (catalogue), ARC One Gallery, Melbourne, Victoria.
2003
> The Artists Surgery: A Constructed Reality, [full page ARC One Gallery advertisement] Australian Art Collector, Issue 27, January- March, 2004, published December 2003.
> The Camera Always Lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
A THOUSAND GOLDEN REMEDIES (2000)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2004
> Artist's Profile: Rose Farrell and George Parkin, Jackie Dunn, Art bank, [newsletter] Issue 8, 2004.
> New Images from talented Australian photographers, China Post, February, 2004.
> Photographica Australis, [Asia Tour catalogue Chinese edition], Alasdair Foster, published by the Taipei Fine Arts Museum, Taipei, Taiwan, R.O.C.
> Photographica Australis, [Poster], published by the Taipei Fine Arts Museum, Taipei, Taiwan, R.O.C.
> Photographica Australis, [Exhibition brochure], published by the Taipei Fine Arts Museum, Taipei, Taiwan, R.O.C.
2003
> Asialink Newsletter, Issue 20, (cover), published by The Asialink Centre, The University of Melbourne, Melbourne, Victoria, December, 2003.
> 11th Asian Art Biennale Bangladesh 2003, (catalogue), Bangladesh Shilpakala Academy, Dhaka, Bangladesh.
> Photographica Australis, Metro Magazine, Bangkok, Thailand, July 2003.
> The Affordable Art Fair, (catalogue), New York, U.S.A., Page 53.
> Photographica Australis, [Asia Tour catalogue], Alasdair Foster, published by the Australian Centre for Photography, Sydney and The Asialink Centre, The University of Melbourne, Melbourne, Victoria.
2002
> High noon at the MCA, Christopher Chapman, Broadsheet, vol, 32 #1.
> The Sydney Festival begins early at the Museum of Contemporary Art, Sydney Morning Herald, Metro, Sydney, N.S.W., November 24, 2002.
> On the anticipation of travel and its reality, by Merryn Gates, published in, Meridian: Focus on contemporary Australian art, [catalogue], Rachel Kent, Russell Storer & Vivienne Webb, Museum of Contemporary Art, Sydney, N.S.W.
> Circle work, Peter Hill, The Sydney Morning Herald, Metro, Sydney, N.S.W., December 20-26, 2002.
> Mid-career showcase has wonder aplenty - now for more innovation, Anne Loxley, The Sydney Morning Herald, Sydney, N.S.W., December 18, 2002.
> Teamwork, EXIT #7, Madrid, Spain, August, 2002.
> City of Hobart Art Prize, (catalogue), published by the Hobart City Council, Hobart, Tasmania.
2001
> Golden Remedies, Artnotes Asia, Tom Parker, Art Monthly, Number 144, October 2001.
> The Hutchins Art Prize 2001, (catalogue), The Long Gallery, Salamanca Place, Hobart, Tasmania.
> 26th Annual Shell Fremantle Print Award, (catalogue), Fremantle Arts Centre, Fremantle, Western Australia, September 2001.
2000
> Pictures of Health, Sarah Hurst, Beijing Journal, Beijing, Peoples Republic of China, Vol. 13. No. 10, October, 2000.
SHAO QI EXERCISES (2000)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2007
> Chinese Contemporary Art Document 2006, (book), published by Hunan fine Arts Publishing House, Beijing, China. Pages 637, 638, 639 and 640.
2003
> Stellar, CCP Fundraising Auction, (catalogue), Centre for Contemporary Photography, Melbourne, Victoria.
> Stills of distinction, Peter Hill, Sydney Morning Herald, Sydney, N.S.W., April 18, 2003.
> The Perfect Week, The Bulletin, April 15, 2003, page 19.
> Critic's Picks, Peter Hill, Sydney Morning Herald, Metro, Sydney, N.S.W., April 4-10, page 27, 2003.
> Village life, but not as all would recognise it, Robert McFarlane, Sydney Morning Herald, Sydney, N.S.W., April 7, 2003.
2002
> ACP Summer Program, (brochure), Australian Centre for Photography, Sydney, N.S.W.
2000
> Pictures of Health, Sarah Hurst, Beijing Journal, Beijing, Peoples Republic of China, Vol. 13. No. 10, October, 2000.
TRACES OF THE FLOOD (1999/00)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2006
> The Camera Creates a Stage, Anne Kirker, (catalogue), Queensland Centre for Photography, Brisbane, Queensland.
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
> Pain of a Year, and Years Ago, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., May 16, 2006.
2005
> Autumn: Monash Gallery of Art Newsletter, Monash Gallery of Art, Wheelers Hill, Melbourne, Victoria, Edition No. 19, page 7, 2005. ISSN: 1444-4577.
2004
> Science Fictions, (catalogue), published by LASALLE-SIA College of the Arts, Singapore.
> Artist's Profile: Rose Farrell and George Parkin, Jackie Dunn, Art bank, [newsletter] Issue 8, 2004.
> The ArtistÕs Surgery: A Constructed Reality, (catalogue), ARC One Gallery, Melbourne, Victoria.
2003
> The camera always lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
2002
> Eye opener, Melissa Starker, (book review), www.columbusalive.com/2002/20020801/080102/08010209.html
> BLINK, (book), Phaidon, London, England.
> Photographica Australis, Diorama 216, Madrid, Spain, March, 2002.
> Retrato de Familia, Victor Zarza, ABC Cultural, Madrid, Spain, February 9, 2002.
> Photographica Australis, Paco Barragan, Lapiz 179/180, Madrid, Spain.
> El arte que viene/the art to come, (book), Paco Barrag‡n, Madrid, Spain.
> Photographica Australis, Alasdair Foster, (catalogue), published by the Australian Centre for Photography, Sydney, N.S.W.
2001
> The Alice Prize 2001, (catalogue), Alice Springs art Foundation Inc., Alice Springs, N.T.
> Farrell & Parkin: Traces of the Flood, Marie-France Beaudoin, [opuscule], English translation by Janet Logan, published by the Centre d'exposition de Val-d'Or, Val-d'Or, Quebec, Canada, March, 2001.
2000
> The Liminal what?, Courtney Kidd, Australian Art Monthly, Number 135, November 2000.
> Cue Art, Edith Newhall, [photography listing] New York, [magazine] New York, U.S.A., October 30 and November 6, 2000.
> Voice Choices, Vince Aletti, The Village Voice, New York, U.S.A., October 18, 2000 and November 1, 2000.
> Arts & Leisure Guide, [listing], New York Times, New York, U.S.A., October 15, 2000.
> Visual Arts Review: The Liminal Body, ABC Radio National, Arts today, Bruce James, October 5, 2000.
> Hub recommends: Liminal Bodies, Jason Blake, The City Hub, Sydney, N.S.W., October 5, 2000.
> The Liminal Body, Alasdair Foster, [catalogue], Australian Centre for Photography, Sydney, N.S.W., October, 2000.
> Farrell et Parkin: beaucoup plus que des photographes, Francois Belisle, L'Echo, Val-d'Or, Quebec, Canada, August 9, 2000.
> Death dysfunction and the Olympic ideal, [symposium brochure], Australian Centre for Photography, Sydney, N.S.W.
> ACP Spring Program 2000, [brochure], Australian Centre for Photography, Sydney, N.S.W.
> Le Centre d'exposition de Val-d'Or presente une premiere mondiale, Doris Blackburn, Le Citoyen, Val-d'Or, Quebec, Canada, July 23, 2000.
> Le Centre d'exposition de Val-d'Or prepare deux grands evenements estivaux, Renee Labonne, L'Echo, Val-d'Or, Quebec, Canada, May 17, 2000.
> Cuerpo, pantalla e identidad en la estetica posmoderna, Paco Barragan, Lapiz, Numero 155, Spain, 2000.
PULLEYS, DISLOCATIONS AND COUNTERWEIGHTS (1997/98)
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2004
> Artist's Profile: Rose Farrell and George Parkin, Jackie Dunn, Art bank, [newsletter] Issue 8, 2004.
> Arena Magazine, [cover], Arena Publications, Melbourne, Victoria, Issue no. 69, February - March 2004.
> The Carnal Transfigured: New Tableaux Vivants of Farrell and Parkin, by Robert Nelson, from The ArtistÕs Surgery: A Constructed Reality, (catalogue), ARC One Gallery, Melbourne, Victoria.
2003
> The camera always lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
2001
> Artbank: Australian Art in Public Spaces, Dinah Dysart & Jackie Dunn, published by Artbank, Sydney, N.S.W., Page #104. ISBN:0 642 75029 7.
2000
> Farrell et Parkin: beaucoup plus que des photographes, Francois Belisle, L'Echo, Val-d'Or, Quebec, Canada, August 9, 2000.
> Le Centre d'exposition de Val-d'Or presente une premiere mondiale, Doris Blackburn, Le Citoyen, Val-d'Or, Quebec, Canada, July 23, 2000.
> Le Centre d'exposition de Val-d'Or prepare deux grands evenements estivaux, Renee Labonne, L'Echo, Val-d'Or, Quebec, Canada, May 17, 2000.
1999
> Biennial stirs signs of life, Robert Nelson, The Age, Melbourne, Victoria, December 29, 1999.
> World of medicine through a lens, Sue Green, South China Morning Post, Hong Kong, China, August 26, 1999.
> One hand makes light work, Robert Rooney, The Australian, August 6, 1999.
> Cloth caps full of meaning, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., July 14, 1999.
> So where's the ambition and commitment?, Peter Timms, The Age, Melbourne, Victoria, July 14, 1999.
> Art prizes move beyond the 'predictable', Ashley Crawford, The Age, Melbourne, Victoria, July 9, 1999.
> Deacons Graham and James / Arts 21 Award, Rachel Kent, [catalogue], The Ian Potter Museum of Art, The University of Melbourne, Melbourne, Victoria.
1998
> Mapp of the Human Heart, Sebastian Smee, The Sydney Morning Herald, Sydney, N.S.W., October 20, 1998.
> Ars est Celare Artem, English text by Paul Mellor & Tableaux Vivants, French text by Catherine Grout, Pulleys, Dislocations and Counterweights, [catalogue], published by Farrell and Parkin, Melbourne, Victoria, October, 1998.
THRONE OF BLOOD DIGITAL PROJECT (1997)
2005
> Autumn: Monash Gallery of Art Newsletter, Monash Gallery of Art, Wheelers Hill, Melbourne, Victoria, Edition No. 19, page 6, 2005. ISSN: 1444-4577.
> 2005 Fundraising Auction, Monash Gallery of Art, Wheelers Hill, Melbourne, Victoria. [catalogue, page 1].
THE THICK WALLED ROOM (1996)
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2003
> The camera always lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
2000
> Farrell et Parkin: beaucoup plus que des photographes, Francois Belisle, L'Echo, Val-d'Or, Quebec, Canada, August 9, 2000.
> Le Centre d'exposition de Val-d'Or presente une premiere mondiale, Doris Blackburn, Le Citoyen, Val-d'Or, Quebec, Canada, July 23, 2000.
> Le Centre d'exposition de Val-d'Or prepare deux grands evenements estivaux, Renee Labonne, L'Echo, Val-d'Or, Quebec, Canada, May 17, 2000.
1999
> The New York Photography Fair, Caroline Kerrigan, [catalogue], New York , U.S.A.
1997
> Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, [exhibition programme], Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Derision et Raison, [catalogue], Georges Vercheval, Musee de la Photographie, Charleroi, Belgium.
> Poets of Human Frailty, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., February 5, 1997.
> Notices: Photography, Capital Q, January 31,1997.
> Out of Bounds, Sebastian Smee, The Sydney Morning Herald Metro, Sydney, N.S.W., January 31-February 6, 1997.
1996
> Images as Art, Robert Nelson, The Age, Saturday Extra, Melbourne, Victoria, November 2, 1996.
> 1996 Gold Coast City Conrad Jupiters Art Prize, [catalogue], John Walsh, Gold Coast City Art Gallery, Surfers Paradise, Queensland.
> Nothing like a Leica in show's standard images, Freda Freiberg, The Age, Melbourne, Victoria, October 26, 1996.
> Melbourne Events, Exhibitions, Published by the City of Melbourne, Melbourne, Victoria, November, 1996
> Morose Anthropology in the Vaults, Robert Nelson, The Age, Metro, Melbourne, Victoria, October 23, 1996.
> Physical Pictures, Anne Marsh, Herald Sun, Arts & entertainment, Melbourne, Victoria, October 23, 1996.
> The Festival Begins, Raymond Gill, The Age, (AM edition), Melbourne, Victoria, October 18, 1996.
> The Age Guide to the Melbourne Festival, edited by Raymond Gill, The Age, Metro Arts, October 18, 21, 22, 23, 25, 28, 29, 30, 31, and November 1, 1996, The Age, Amusements, October 24, 1966, The Age, Saurday Extra, October 19, 26, and November 2, 1966, and The Sunday Age, Agenda, October 20, 1996.
> Festival Headliners, Melbourne Festival 1996, Visual Arts by Robert Nelson, The Age, Metro Arts, Melbourne, Victoria, October 18, 1996.
> Visual Arts: OCT 17-NOV 2 96, [brochure], published by the Melbourne International Festival, Melbourne, Victoria, October 17, 1996.
> Wounded Seductions, Adrian Montana, RealTime, #15, October - November, 1996.
> Speedy Program Guide, Melbourne Festival, published by the Melbourne International Festival, Melbourne, Victoria, October 12, 1996.
> Photographers of the Psyche, Rebecca Lancashire, Arts Extra, The Age, Melbourne, Victoria, September 7, 1996.
> Eye for the Big Picture, Sally Fisher, Herald Sun, Arts & entertainment, Melbourne, Victoria, July 13, 1996.
> Great Visuals add to the Melbourne Festival, State of the Arts, Melbourne, Victoria, August to November, 1996.
> Melbourne Festival, [festival guide], Peter Jordaan, published by the Melbourne International Festival, Melbourne, Victoria, July 13, 1996.
> Channel 10 News, Evening news broadcast, Mal Walden and Jennifer Hansen, article on the opening of 'Planting Melbourne' on the steps of the Old Treasury Building, included footage of The Thick Walled Room. Melbourne, Victoria, Thursday, October 17, 1996.
GREY GARDEN (1994/95)
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
1998
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1996
> Pictures of Banality, John McDonald, The Sydney Morning Herald, Sydney, N.S.W., August 31, 1996.
> Photography is Dead! Long Live Photography!, exhibition catalogue, Linda Michael, Museum of Contemporary Art, Sydney, N.S.W.
> Photography is Dead! Long Live Photography!, [brochure], Nicholas Baume & Ben Curnow, Museum of Contemporary Art, Sydney, N.S.W.
> Historie statt Latex und Leder, Brigitte Werneburg, Taz Berlin, Sonnabend / Sonntag, June 1-2, 1996. Seite 25.
> Die Indische Antwort, Katrin Bettina Muller, Tip Berlin Magazin, Nr. 10/96, May 2-15, 1996.
> Brotfabrik Kunst & Kulturzentrum, [programme], Mai 1996.
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
STORMS, RAIN AND DARKNESS (1994/95)
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2002
> El arte que viene/the art to come, (book), Paco Barragan, Madrid, Spain.
2000
> Farrell et Parkin: beaucoup plus que des photographes, Francois Belisle, L'ƒcho, Val-d'Or, Quebec, Canada, August 9, 2000.
> Le Centre d'exposition de Val-d'Or presente une premiere mondiale, Doris Blackburn, Le Citoyen, Val-d'Or, Quebec, Canada, July 23, 2000.
> Down under, Francisco Barragan, Lapiz, Numero 164, Spain, June, 2000.
> Le Centre d'exposition de Val-d'Or prepare deux grands evenements estivaux, Renee Labonne, L'ƒcho, Val-d'Or, Quebec, Canada, May 17, 2000.
1998
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1997
> Post-Mortem: Farrell & Parkin, Robert Nelson, Artlink, Volume 17 #02, June 1997. Pages 36-39. ISSN 0727-1239.
1996
> Melbourne Festival, [festival guide], Peter Jordaan, published by the Melbourne International Festival, Melbourne, Victoria, July 13, 1996.
> Historie statt Latex und Leder, Brigitte Werneburg, Taz Berlin, Berlin, Germany, Sonnabend / Sonntag, June 1-2, 1996. Seite 25.
> Die Indische Antwort, Katrin Bettina Muller, Tip Berlin Magazin, Berlin, Germany, Nr. 10/96, May 2-15, 1996.
> Brotfabrik Kunst & Kulturzentrum, Berlin, Germany, programme, Mai 1996.
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
1995
> Torture in Focus, Anne Marsh, Herald Sun, Melbourne, Victoria, 14th December, 1995.
BLACK ROOM (1992/93)
2008
> Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink, Vol 28 no 3. September, 2008.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
> Paper Moon, Briony Downes, Art & Australia, Vol. 43, No.3, page 435, Autumn, 2006.
2005
> Paper Moon, (catalogue), published by Devonport Regional Gallery, Devonport, Tasmania.
> Modern Art: A Critical Introduction, (second edition) Pam Meecham & Julie Sheldon, Routledge Publishing, England. Page 241, Figure 8.2.
2003
> See here now: Vizard Foundation Art Collection of the 1990s, (catalogue), published by Thames & Hudson in association with the Ian Potter Museum of Art and the Vizard Foundation, Melbourne, Victoria.
2000
> Modern Art: A Critical Introduction, Pam Meecham & Julie Sheldon, Routledge Publishing, England.
1998
> North West Arts Board Review 97/98, page 23, image #8 from Black Room (detail) and caption, North West Arts Board Annual Report 1997/98, Manchester, England.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, pubished by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Photographie & immaterailite, CŽline Mayrand, Parachute, #89, Montreal, Canada, January - March, 1998.
1997
> Night Sea Crossing, Arts, Isabel Cockayne, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, exhibition programme, Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Art Into Focus, Robert McFarlane, Australian Art Collector Magazine, Issue #1, July - September, 1997. Pages 66-69. ISSN 1328-9586.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Epistolaire, Spirale (magazine), #156, Montreal, Canada, illustrations accompanying an article by Jean Coutin, "Diderot et les paradoxes Epistolaires", pages 16 & 17, September-October, 1997.
> Potos offer more than what you see, Dorota Kozinska, The Gazette, Montreal, Canada, September 7, 1997.
> Pour en finir avec la matiere, Bernard Lamarche, Le Devoir, Montreal, September 7, 1997.
> Le Mois de la Photo a Montreal, Cinquieme Edition, September 1997, festival programme, published by Vox Populi, Montreal, Canada. Pages 20-21.
> Des Photos Partout!, Bernard Lamarche, Le Devoir, Montreal, Canada, August 23, 1997.
> Le Mois de la Photo a Montreal, Images, Visages, Le Devoir, Montreal, August 19, 1997.
> Photographie & Immaterialite, Marie-Josee Jean & Marcel Blouin, Le Mois de la Photo a Montreal, [catalogue], published by Vox Populi, Montreal, Canada, September, 1997. Pages 9-16 (French) 18-25 English), 32-33 (photographs), 71-74 (French) 75-77 (English) (biographies). ISBN 2-9801608-4-9
> Die Konstruktion des Raumes, April 1996 - April 1997, [catalogue], Inka Schube, published by Galerie in der Brotfabrik, Berlin, Germany. Pages 8, 20, 48-53 & 116-117. ISBN 90-5705-073-0.
> Post-Mortem: Farrell & Parkin, Robert Nelson, Artlink, Volume 17 #02, June 1997. Pages 36-39. ISSN 0727-1239.
> The Vizard Foundation Art Collection, [catalogue], Chris McAuliff, published by The University of Melbourne Museum of Art, Melbourne, Victoria, March 1997.
> Art, Sebastian Smee, The Sydney Morning Herald Metro, Sydney, N.S.W., December 27- January 2, 1997.
1996
> Pictures of Banality, John McDonald, The Sydney Morning Herald, Sydney, N.S.W., August 31, 1996.
> Uma de Encontros com a Fotografia,Vasco Ribeiro.
> Photography is Dead! Long Live Photography!, [catalogue], Linda Michael, Museum of Contemporary Art, Sydney, N.S.W., Pages 58-59 & 107. Both of the images on pages 58 and 59 are printed incorrectly! The L/H image of Grey Garden # 1 is back to front and the two out side images on Grey Garden #2 have been transposed. ISBN 1 875632 47 6.
> Photography is Dead! Long Live Photography!, [brochure], Nicholas Baume & Ben Curnow, Museum of Contemporary Art, Sydney, N.S.W.
> Historie statt Latex und Leder, Brigitte Werneburg, Taz Berlin, Berlin, Germany, Sonnabend / Sonntag, June 1-2, 1996. Seite 25.
> Ficcoes delirantes em Braga, Hoje, Publico, Local Porto, June 2,1996.
> Fotofeis is for you!, Barb Smith, Art Monthly, Number 90, June, 1996.
> Farrell & Parkin: Black Room, Rui Tavares, JA, May 30,1996.
> Fotografia Imafens Familiares, Margardia Medeiros, Publico, May 26,1996.
> Ficcoes e Narrativas Fotográficas, Margardia Medeiros, Publico, May 10,1996.
> A fotografia que nao quer ser objectiva, Margardia Medeiros, Publico, May 8,1996.
> Exposicoes em Braga, Joáo Faria, A Capital, May 4,1996.
> Encontros da Imagem, Braga Maio 96, Publico, Press advertisement featuring image # 1 from Black Room, May 4, 1996.
> Ficcoes e Narrativas Fotográficas, Margardia Medeiros, Publico, Exposicoes, May 3,1996.
> Die Indische Antwort, Katrin Bettina Muller, Tip Berlin Magazin, Berlin, Germany, Nr. 10/96, May 2-15, 1996.
> Encontros Da Imagem 10 Anos Maio á 1996, [festival programme], Andre Rouille, published by Associacao Cultural de Fotografia e Cinema de Braga, Portugal.
> Brotfabrik Kunst & Kulturzentrum, [programme], Mai 1996.
> Minho Fotografico, Oscar Faria, O Mundo Africano, April 26,1996.
> A Imagem em Braga, Ana Soromenho, Expresso, April 20,1996.
> Minho Fotografico, Oscar Faria, Publico, April 14,1996.
> Encontros da Imagem saem de Braga, Jorge Oliveira, Diário do Minho, April 13,1996.
> Encontros Da Imagem 10 Anos, [catalogue], Andre Rouille, published by Associacao Cultural de Fotografia e Cinema de Braga, Portugal.
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
> Aesthetic Sandwich Satiates Appetite, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., April 8,1996.
> Photography, Pat and Richard Larter, Joanna Mendelssohn, The Australian, March 29, 1996.
> The Body Fragile, Sebastian Smee, The Sydney Morning Herald Metro, Sydney, N.S.W., March 22-28, 1996.
> Voice Choice, Kim Levin, The Village Voice, January 16, 1996, January 9, 1996, January 2, 1996, December 19, 1995, December 12, 1995 and December 5, 1995.
> ART, New York magazine, January 8, 1996, December 25, 1995 - January 1, 1996, December 18, 1995 and December 11, 1995.
1995
> Fotofeis: Schottland Ruft!, Inka Schube, Photonews, Nr. 12/1, December 1995 - January 1996.
> Art Galleries, Kim Levin, New York Listings, Volume 2, Number 1, December 29, 1995 - January 1996.
> Fotofeis '95 Festival Guide, Ken Gill, Jackie Shearer & Alasdair Foster (Editors), Complete Listings Exhibitions and Events across Scotland, published by Fotofeis Ltd, Edinburgh, Scotland.
> Fotofeis '95, [festival catalogue], Alasdair Foster, published by Fotofeis Ltd, Edinburgh, Scotland. Pages 50 &51.
> Feature Exhibitions, Fotofeis Calendar, Scottish Arts Monthly, October 1995.
> Medicinally Sombre, Freda Freiberg, The Age, Melbourne, Victoria, 3rd October 1995.
> See it, Mary Lou Jelbart, Herald Sun, Melbourne, Victoria, 20th September, 1995.
> Into the Dark Room, Anne Marsh, Herald Sun, Melbourne, Victoria, 5th September, 1995.
> Arts Diary, Louise Martin-Chew, Australian Style, Issue 14, 1995
> Black Room: Photographs by Farrell and Parkin, Susan van Wyk, Gallery (magazine), National Gallery Society of Victoria, Melbourne, Victoria, September, 1995.
> Into the Dark Room, Anne Marsh, Herald Sun, Melbourne, Victoria, 5th September, 1995.
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
> Winter, [exhibition programme], National Gallery of Victoria, Melbourne, Victoria, July-September, 1995.
1994
> 54th International Photographic Salon of Japan, [catalogue], The All-Japan Association of Photographic Societies and the Asahi Shimbun, Tokyo, Japan, 1994. Pages 18 &19.
> Eidetic Experiences: Contemporary Queensland Photography, Anne Kirker, Eyeline, issue #25, Spring 1994.
> Eidetic Experiences, [catalogue], Graham Coulter-Smith, Noosa Regional Gallery, Tewantin, Queensland, 1994.
> National and International Studio Programs 1992-1993, [catalogue], Zdenka Gabalova, The Institute for Comtemporary Art, P.S.1 Museum, New York, U.S.A. 1993.
TERRA FIRMA 1616 (1992)
2000
> Farrell et Parkin: beaucoup plus que des photographes, Francois Belisle, L'Echo, Val-d'Or, Quebec, Canada, August 9, 2000.
> Le Centre d'exposition de Val-d'Or presente une premiere mondiale, Doris Blackburn, Le Citoyen, Val-d'Or, Quebec, Canada, July 23, 2000.
> Le Centre d'exposition de Val-d'Or prepare deux grands evenements estivaux, Renee Labonne, L'Echo, Val-d'Or, Quebec, Canada, May 17, 2000.
1999
> Cloth caps full of meaning, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., July 14, 1999.
> Strange Fascinations, Stewart Dawes, Sydney Scope, magazine, Sydney, N.S.W., vol.1 - no.2, July, 1999.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, pubished by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
1995
> Strate'gens, [catalogue], Anne Brennan/Merryn Gates, Canberra School of Art Gallery, The Australian National University, Canberra, A.C.T.
> Peripheral Vision: Contemporary Australian Art 1970-1994, Charles Green, published by Craftsman House.
1993
> Terra Firma 1616, Merryn Gates, Gallery, (magazine cover and article), National Gallery Society of Victoria, Melbourne, Victoria, December-January, 1993/94.
A PASSION FOR MALADIES (1989/91)
2007
> Photography: Art Gallery of New South Wales Collection, [book], Judy Annear, Art Gallery of New South Wales, Sydney, N.S.W. Pages 314 & 325.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2005
> Intricate Tableaux of Life on the Street, Robert McFarlane, The Sydney Morning Herald, Sydney, N.S.W., November 30, 2005. Page 23.
> Points of View: Australian Photography 1985-95, (catalogue), Art Gallery of New South Wales, Sydney, N.S.W.
2004
> 20+4: Index 1980-2004, [index], published by Dazibao, Montreal, Canada, 2004.
2003
> The camera always lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, pubished by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1997
> Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, exhibition programme, Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Post-Mortem: Farrell & Parkin, Robert Nelson, Artlink, Volume 17 #02, June 1997.
> Derision et Raison, [catalogue], Georges Vercheval, Musee de la Photographie, Charleroi, Belgium.
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
1995
> Peripheral Vision: Contemporary Australian Art 1970-1994, Charles Green, published by Craftsman House.
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
> AGNSW: Collections, Ewen McDonald (editor), published by The Art Gallery of New South Wales, Sydney, N.S.W.
1993
> Post west, [catalogue], Linda Marie Walker/Paul Hewson/Alan Cruickshank/David O'Halloran, post west Gallery, Adelaide, South Australia, 1993.
> Commentaires/Reviews, Kathleen Goggin, Parachute, #71, Canada, July, August, September, 1993.
> Immortality, Tim Mathieson, Agenda, #32, July, 1993.
> Court-Circuit, Yvan Moreau, ETC Montreal, Canada, #22, 15 May-15 August, 1993.
> Drab images fail to speak on male identity, Greg Neville, The Age, April 29th, 1993.
> Immortality: A Re-examination of the Hero, [catalogue], Susan Fereday, Centre for Contemporary Photography, Melbourne, Victoria, 1993.
> Les Images Cultivees de Farrell & Parkin, [opuscule], Alain Laframboise, Dazibao, Montreal, Canada, 1993.
1992
> A Passion for Maladies, [catalogue], Merryn Gates, Artspace, Sydney, N.S.W., 1992.
> When Friendship Enters the Picture, Robert Rooney, The Australian Weekend Review, August 1-2, 1992.
> 52nd International Photographic Salon of Japan, [catalogue], The Asahi Shimbun, Tokyo, Japan, 1992.
> Pictures of Pain, Ken Bolton, The Adelaide Advertiser, Adelaide, South Australia, April 1st, 1992.
THRONE OF BLOOD (1990)
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
WORTHY HABITS AND MANTLES (1990)
2002
> Other Views, Timothy Morrell, (catalogue), published by Griffith University, Nathan, Brisbane, Queensland.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, pubished by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1997
> Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, [exhibition programme], Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Derision et Raison, [catalogue], Georges Vercheval, Musee de la Photographie, Charleroi, Belgium. Published by the Musee de la Photographie, Charleroi. Pages 84-91 & 237. ISBN 2-87183-028-2.
> Zoom sur un Anniversaire, Jean-Marie Wynants, Le Soir, Belgium, April 23, 1997.
1996
> The Power to Move: Aspects of Australian Photography, [catalogue], Anne Kirker & Clare Williamson, Queensland Art Gallery, Brisbane, Queensland.
> Perspectives on Australian Art, Anne Mancini, published by Longman Australia Pty Ltd.,1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
> Worthy Habits and Mantles: The Alchemical Photography of Rose Farrell and George Parkin, Urszula Szulakowska, Eyeline, issue #13, December, 1990.
> Beyond the Image, Joanna Mendelssohn, The Bulletin, November 6th, 1990.
> Images of Life Worlds Apart, Michael Richards, Brisbane Courier Mail, Brisbane, Queensland, November 13th, 1990.
> Worthy Habits and Mantles, [catalogue], Urszula Szulakowska, Griffith University, Brisbane, Queensland, 1990.
1995
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
1994
> Rose Farrell and George Parkin: Art History and "Primitivism" in Contemporary Australian Performance Photography, Urszula Szulakowska, 'Electronic Arts in Australia', Continuum, Volume 8, No.1, 1994, Murdoch University, Murdoch, Western Australia. Pages 394-405. ISSN 1030-4312.
> Artwork of the Month, Cathy Pemble-Smith, [Information Sheet], Queensland Art Gallery, Brisbane, Queensland, May, 1994.
1992
> When Friendship Enters the Picture, Robert Rooney, The Australian Weekend Review, August 1-2, 1992.
> Domino 1: Collaborations Between Artists, [catalogue], Merryn Gates, Ian Potter Gallery, University of Melbourne, Melbourne, Victoria, 1992.
> Camera Artworks Aren't Just A Snap, Danielle Blewett, The Launceston Examiner, Launceston, Tasmania, July 8th, 1992.
> A Constructed Reality: Aspects of Contemporary Photography, [brochure], Susan van Wyk, The National Gallery of Victoria, Melbourne, Victoria, 1992.
1991
> Brisbane Report, Stephen Rainbird, Art and Australia, Spring, Volume 29 #1, 1991.
> Limitation in Absence of Message, Greg Neville, The Age, Melbourne, Victoria, April 16th, 1991.
MISERABLE PLEASURES & GLORIOUS MYSTERIES (1989)
2002
> 2nd Sight: Australian Photography in the National Gallery of Victoria, Dr Isobel Crombie & Susan van Wyk, (book) Published by the National Gallery of Victoria, Melbourne, Victoria.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
1995
> Dangerous Liaisons, [catalogue], Diana Klaosen, Plimsoll Gallery, University of Tasmania, Hobart, Tasmania, 1995.
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
1994
> The Full Spectrum: Colour and Photography in Australia 1860s to 1990s, [catalogue], Isobel Crombie, National Gallery of Victoria, Melbourne, Victoria, 27th May - 4th July, 1994.
1990
> Twenty Contemporary Photographers, Neil Murray, Australian Camera Craft.
> Galleries Pool Their Talents, Peter Davis, The Sunday Herald, Melbourne, Victoria, 3rd June, 1990.
> Second Australian Contemporary Art Fair, [catalogue], ACAF2, Melbourne, Victoria, 21-24 June, 1990. (Girgis & Klym page, pic.)
> The Printed Image: Twenty Contemporary Australian Photographers, Photoworld.
> The Melbourne Scene - Part 1, Tony Palmer (editor) Huntley's Australian Art Investor, Issue No. 12 March, 1990.
> Twenty Contemporary Australian Photographers: from the Hallmark Cards (Australian) Photographic Collection, [catalogue], Sandra Byron & Isobel Crombie, National Gallery of Victoria, Melbourne, Victoria, 1990.
REPENTANCE (1988)
2008
> Theatrically so Extreme it's Believable, Robert Nelson, The Age, Metro, Melbourne, Victoria, page 18, January 30, 2008.
2007
> Role Play: Portrait Photography, (catalogue), Isobel Crombie, published by NGV International, Melbourne, Victoria. Page 7.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1997
> Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, [exhibition program], Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Derision et Raison, [catalogue], Georges Vercheval, Musee de la Photographie, Charleroi, Belgium. Published by the Musee de la Photographie, Charleroi. Pages 84-91 & 237. ISBN 2-87183-028-2.
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
> Re collection The Griffith University Art Collection - 25 Years, exhibition catalogue, Beth Jackson, Brisbane City Gallery, published by Griffith University, Brisbane, Queensland.
1995
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
1994
> A Snapshot of Photography, Greg Neville, The Age, Melbourne, Victoria, January 7th, 1994.
1992
> Domino 1: Collaborations Between Artists, [catalogue], Merryn Gates, Ian Potter Gallery, University of Melbourne, Melbourne, Victoria, 1992.
1991
> National Gallery puts 130 Years of Photography on Bold Display, Greg Neville, The Age, Melbourne, Victoria, January 25th, 1991.
1990
> When the Camera Isn't Candid, Peter Ward, The Australian, December 12th, 1990.
> Fragmentation & Fabrication, [catalogue], Julie Robinson, Art Gallery of South Australia, Adelaide, South Australia, 1990.
1989
> Repentance, Kevin Murray, Eyeline, Issue 9, Winter, 1989.
> Meta Portraits, [catalogue], The Blaxland Gallery, Myer, Melbourne, Victoria, 8th June - 4th July, 1989.
> What You See is a Lens-Eye View, Michael Snelling, Adelaide Advertiser, Adelaide, South Australia, June 28th, 1989.
> Photography: Recent Acquisitions, brochure, Helen Ennis, The Australian National Gallery, Canberra, A.C.T., 1989.
> Repentance, [catalogue], Linda Johnson, Horsham Regional Gallery, Horsham; Contemporary Art Centre of South Australia, Adelaide; City of Hamilton Art Gallery, Hamilton, Victoria,1989.
> Exhibition Programme, The Australian Centre for Photography, Sydney, N.S.W., February-May, 1989.
> Invest in Photographic Art, [leaflet], The Australian Centre for Photography, Sydney, N.S.W., 1989.
> Studio Courses 1989, photography course programme, The Australian Centre for Photography, Sydney, N.S.W., 1989.
> Director's Review, Gallery Newsletter, City of Horsham Regional Art Gallery, Horsham, Victoria,1989.
> Newsletter, May, 1989 [cover photo], City of Horsham Regional Art Gallery, Horsham, Victoria.
> The Arts, Wimmera Mail Times, Horsham, Victoria, 8th May 1989.
> Painstaking Work in Exhibition, Kathy Mackenzie, Wimmera Mail-Times, Horsham, Victoria, 28 th April, 1989.
> Images of Pop Iconography in New Exhibition, Trevor Smith, The Wimmera Mail-Times, Horsham. Victoria, April 19, 1989.
1988
> The Moment of Sainthood, Susan Fereday, Agenda Contemporary Art, Issue 3, Volume 1, October, 1988, pages 20 & 21.
> Cover photograph, Art Almanac, August, 1988.
> Excursions into the Postmodern, Richard Brown, Photofile, Summer Issue, 1988/89.
> Exhibitions have Rich Offerings, Beatrice Faust, The Age, Melbourne, Victoria, October 12th, 1988.
> Artist Page, Eyeline Magazine, Issue #7, December, 1988.
> Excursions into the Postmodern, [brochure], Isobel Crombie, National Gallery of Victoria, Melbourne, Victoria, 1988.
RED SQUARES (1986/87)
2009
> The History of the National Photography Prize, (catalogue) Albury Regional Art Gallery, Albury, N.S.W. Page 6, labelled incorrectly with Film Noir image below.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2002
> On the anticipation of travel and its reality, by Merryn Gates, published in, Meridian: Focus on contemporary Australian art, [catalogue], Rachel Kent, Russell Storer & Vivienne Webb, Museum of Contemporary Art, Sydney, N.S.W.
2001
> Gallery photos on tour across state, Trevor Smith, The Wimmera Mail-Times, Horsham, Victoria, December 12, 2001.
> Phiction: lies, illusion and the phantasm in photography, (catalogue), James Mc Ardle, foreword by Merle Hathaway, Horsham Regional Art Gallery, Horsham, Victoria.
> Phiction: Stories - Truth or Fiction?, (opuscule), James Mc Ardle, Horsham Regional Art Gallery, Horsham, Victoria.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1997
> Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, October, 1997, Liverpool, England.
> Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
> Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17, 1997.
> Open Eye Photographic & Media Arts, September 1997 - January 1998, exhibition programme, Open Eye Gallery, Liverpool, England.
> Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, Saturday September 13 - Friday September 19, 1997.
> Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, September 1997, Liverpool, England.
> Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, England, September 2, 1997.
> Derision et Raison, [catalogue], Georges Vercheval, Musee de la Photographie, Charleroi, Belgium. Published by the Musee de la Photographie, Charleroi. Pages 84-91 & 237. ISBN 2-87183-028-2.
> Photographie Ouverte, [brochure], Georges Vercheval, #103, Mai, Juin, Juillet, published by the Musee de la Photographie, Charleroi, Belgium, 1997.
> The Garden of Arcane Delights: Rose Farrell and George Parkin, Russell Storer, Tharunka, Volume 43, Issue 6 May 20, 1997.
1996
> Lens Alchemy, television [interview], Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
1995
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
1994
> Postmodern Socialism: Romanticism, City & State, Dr Peter Beilharz, Melbourne University Press publication, 'Interpretations' Series, (book cover, untitled image from Red Squares), Melbourne, Victoria.
1990
> The Sydney Review, [front cover], portrait by Anne Zahalka of Rose Farrell and George Parkin in Red Squares homage, taken April 1990.
1989
> Director's Review, City of Horsham Regional Art Gallery, Horsham, Victoria, Gallery Newsletter, 1989.
> After 'Now, European Photography, Alan Cruickshank, Volume 10, Issue 2, April-June, 1989.
> Painstaking Work in Exhibition, Kathy Mackenzie, Wimmera Mail-Times, Horsham, Victoria, 28 th April, 1989.
> Images of Pop Iconography in New Exhibition, Trevor Smith, The Wimmera Mail-Times, Horsham, Victoria, April 19, 1989.
> Australian Photography, The 1980's, Charles Green, Art Monthly Australia, #18, March, 1989.
1988
> Excursions into the Postmodern, Richard Brown, Photofile, Summer Issue, 1988/89.
> Differences Show in Photography, Beatrice Faust, The Age, Melbourne, Victoria, December, 16th, 1988.
> A Broad Australian Accent, Julie Ewington, Vogue Australia, August, 1988.
> A Parody of Proletarian Art, Sonia Barron, The Canberra Times, Canberra, A.C.T., April 18th, 1988, page 10.
> Australian Photography: The 1980's, [catalogue], Helen Ennis, The Australian National Gallery, Canberra, A.C.T., 1988.
1987
> Fehl am Platz, [exhibition catalogue], Shiralee Saul, Austausch Project, Berlin and Bremen Germany, 1987.
> Fehl am Platz, [exhibition leaflet], Shiralee Saul, Fotogalerie im Wedding Berlin, Germany, 1987.
> National Photographic Exhibition 1987, Audray M Banfield, (exhibition catalogue), Albury Regional Art Centre, Albury, N.S.W., 1987.
> Pop Icons Fill Red Squares, Bronwyn Watson, The Sydney Morning Herald, Sydney, N.S.W., July 31st,1987.
> Focusing on the Photograph, Gary Catalano, The Age, Melbourne, Victoria, June 12th, 1987, page 14.
> Art Almanac, cover photograph, May 1987.
1986
> Photo Success for Rose, Progress Press, January 22nd, Melbourne, Victoria, 1986.
FILM NOIR (1985)
2009
> The History of the National Photography Prize, (catalogue) Albury Regional Art Gallery, Albury, N.S.W. Page 6, labelled incorrectly with Red Squares image above.
2006
> (TV) Sunday Arts, (documentary), produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2004
> Proof, [exhibition catalogue], ARC One Gallery, Melbourne, Victoria.
1998
> In the Deepening Cibachrome Murk, Merryn Gates, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 9, pages 93-102.
> Secrets Behind the Secrets, Farrell and Parkin, from Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, published by Rigby Heinemann, March, 1998. Chapter 8, pages 80-92 and 115-116. ISBN 0-85859-973-2.
1996
> Lens Alchemy, television (interview), Nell Schofield, Review, Produced by Larry Meltzer, Australian Broadcasting Corporation, Monday April 8 and Sunday April 14, 1996.
> An Exhibition of Photography, Bill McCann, Photofile, Autumn, 1986, page 28.
> Sharp Images from Top Students, Janina Green, The Emerald Hill and Sandridge Times, Melbourne, Victoria, February 6th, 1986.
> Sharp Images from Top Students, Janina Green, The Melbourne Times, Melbourne, Victoria, February 5th, 1986, page 11.
> Capturing a Sombre World on Film, Simon Gorden, The Age, Melbourne, Victoria, January 15th, 1986, page 12.
1995
> Right blend in Paddo, Helen Greenwood, Sydney Morning Herald, Sydney, N.S.W., 25th July, 1995.
> Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National Gallery of Victoria, Melbourne, Victoria.
1992
> When Friendship Enters the Picture, Robert Rooney, The Australian Weekend Review, August 1-2, 1992.
> Domino 1: Collaborations Between Artists, Merryn Gates, (exhibition catalogue), Ian Potter Gallery, University of Melbourne, Melbourne, Victoria, 1992.
1987
> National Photographic Exhibition 1987, [exhibition catalogue], Audray M Banfield, Albury Regional Art Centre, Albury, N.S.W., 1987.
> Pop Icons Fill Red Squares, Bronwyn Watson, The Sydney Morning Herald, Sydney, N.S.W., July 31st, 1987.
NUDES (1984)
2004
> Proof, [exhibition catalogue], ARC One Gallery, Melbourne, Victoria.
1985
> Women Turn Camera's Eye on the World, Jane Freeman, Weekend Herald, Melbourne, Victoria, September 14th-15th, 1985, page 18.
> Thirteen Women Photographers, Tony Perry, [catalogue], Photography Studies College, Melbourne, Victoria, 1985.
GENERAL
2007
> Aboriginal art-a sacred black cow? Robert Nelson answers critics of 'bad' Aboriginal art, Robert Nelson, Arena Magazine, August-Sept, 2007.
> To the Watchtower: Red Gate Gallery and Contemporary Art in China, Published by MCCM Creations, Hong Kong, China. Pages 125 & 126.
2006
> The New McCulloch's Encyclopedia of Australian Art, Alan McCulloch, Susan McCulloch and Emily McCulloch Childs, Aus Art Editions, The Miegunyah Press, Melbourne, Victoria.
> Lyndell Brown & Charles Green, (catalogue), GrantPirrie, Sydney, N.S.W., 2006.
2005
> Lyndell Brown/Charles Green: from the Artist Archive, Ashley Crawford, The Sunday Age, Preview, Melbourne, Victoria, pages 24 & 25, September 4, 2005.
> Getting Lost in the Archive, Robert Nelson, The Age, Melbourne, Victoria, page 18, September 14, 2005.
2004
> Melbourne Art Fair 04, [catalogue], published by Melbourne Art Fair Foundation Ltd, Melbourne, Victoria, August 2004.
> Picture Perfect, Peter Barrett, The Age, Melbourne, Victoria, February 28th, 2004.
> New images from talented Australian photographers, Jeffry Babb, The China Post, Monday, February 23rd, 2004.
2003
> The 3rd Prospect Portrait Prize 2003, (catalogue), Prospect Gallery, Prospect, South Australia.
> 2nd Sight: Australian Photography in the National Gallery of Victoria, [book review], Robert Nelson, Photofile, 70: Summer 2004, Page 76.
2002
> ATM, Artnotes, Art Monthly Australia, August 2002, Number 152. Page 42
2001
> Head to Toe, Good Weekend, The Age, Melbourne, Victoria, June 9, 2001. Photograph by Farrell and Parkin.
> Written on the Body, Robert Nelson, The Age, Melbourne, Victoria, May 19, 2001.
2000
> Notes on the Disappearance of the Physical World, Patrick Pardo, NY Arts Magazine, New York, USA.
> Photographers take up new residency offered in Beijing, Nicole Combs, Art Monthly Australia, #132, August, 2000.
1999
> Mirrors and windows, Clare Williamson, Art Monthly Australia, Number 124, October 1999.
> Fractured Frames, Alison Barclay, Herald Sun, Melbourne, Victoria, July 13, 1999. (pg 55)
> Power of Wong, Alison Barclay, Herald Sun, Melbourne, Victoria, Wednesday, July 7, 1999. (pg 48)
> Tense Time for Artists, Malvern/Prahran Leader, Melbourne, Victoria, July 7, 1999. (pg 15)
1998
> Odd Photo Images Hook Observers, Kylie Smith, The Standard, Warrnambool, Victoria,March 11, 1998.
1990
> Heroic self-images more a mockery of reflections, Robert Rooney, The Weekend Australian, June 9-10, 1990. Review on the Anne Zahalka: Artists exhibition which mentions her (collaborative) photograph of Farrell and Parkin.
PORTRAITURE
Starr and Starr, Melbourne 1999 (after Ono and Lennon, Amsterdam 1969)
1999
> We Are Australian, [catalogue], Geoff La Gerche, We Are Australian Art Inc. and The Melbourne International Festival, Melbourne, Victoria, 1999. (# 88 pg 42) |
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